
For a brand built on perfecting the everyday, Uniqlo has an uncanny knack for turning the ordinary into something quite radical. Nowhere is that more evident than in its UT line—those deceptively simple graphic T-shirts that, season after season, double as a kind of wearable cultural currency.
This month, UT steps off the rack and into the museum. Uniqlo is launching its first-ever museum pop-up in partnership with the Asian Civilisations Museum (ACM). From 10 to 12 April, the pop-up will be set up in the museum’s lobby as part of its Crossing Cultures: A Weekend of Curiosities programme, where visitors can explore how the lines between art and fashion blur so delightfully.
Front and centre are the new Uniqlo x ACM UTme! T-shirt designs, created by a roster of local artists like Song, Nikkei, Knuckles & Notch, Gabriel De Souza, and Hafi, and inspired by objects from the museum’s myriad galleries. Rather than reproducing artefacts outright, the artists filter them through their own visual language, amplifying motifs and injecting colour. Expect a flickering candelabra transformed into a quirky print or a striking mystical dragon wafting up like smoke from a ceremonial pitcher, among other designs. Each T-shirt becomes a wearable twist on Singapore’s cultural heritage, brimming with personality and imagination.


“This collaboration is one of the many ways we bring to life our belief that art should be accessible and integrated into daily life,” says Daisuke Hamada, chief finance officer of Uniqlo Singapore and the ASEAN region.
And in typical UT fashion, the pop-up will also showcase global art. Andy Warhol’s iconic Campbell’s Soup Cans, Keith Haring’s kinetic figures, and Jean Michel-Basquiat’s enigmatic graffiti scrawls appear on classic cuts alongside the Uniqlo x ACM collection.


“This partnership with Uniqlo reflects our shared commitment to making the National Collection more accessible and meaningful to broader audiences,” says Clement Onn, director of the ACM and Peranakan Museum. “By engaging contemporary creative practice and design, we can interpret these cross-cultural works from fresh perspectives—connecting past and present in ways that resonate with how people live, create, and express themselves today.”
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